Toru Dutt |
That mellow sweetness was all that Toru lacked to perfect her as an English poet, and of no other Oriental who has ever lived can the same be said. When the history of the literature of our country comes to be written, there is sure to be a page in it dedicated to this fragile exotic blossom of song.
If Toru Dutt were alive, she would still be younger than any recognized European writer, and yet her fame, which is already considerable, has been entirely posthumous. Within the brief space of four years which now divides us from the date of her decease, her genius has been revealed to the world under many phases, and has been recognized throughout France and England. Her name, at least, is no longer unfamiliar in the ear of any well-read man or woman. But at the hour of her death she had published but one book, and that book had found but two reviewers in Europe. One of these, M. Andre Theuriet, the well-known poet and novelist, gave the "Sheaf gleaned in French Fields" adequate praise in the "Revue des Deux Mondes;" but the other, the writer of the present notice, has a melancholy satisfaction in having been a little earlier still in sounding the only note of welcome which reached the dying poetess from England.
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